A mixed-media installation reflecting on displacement, from the Standard of Ur to today. Absence and tailoring become metaphors for adaptation and remade identity.
An ongoing project that revisits the Zanj Rebellion (869–883 CE) through salt sculptures, a single video work, double-sided drawings, and Kozo paper collages.
A life-size kinetic archive where folders glide across shelves in a silent loop. History is treated as a system shaped by visibility, classification, and omission.
A video installation in which mattresses cover an industrial landscape. The floor becomes an attempt to create temporary stability within harsh conditions.
A fictional travel agency offering one-way “holidays” to Baghdad. Humor and propaganda collide, exposing the gap between occupation-era narratives and reality.
A landscape image sealed under acrylic and coated with black grease, inviting viewer intervention. The work reflects how memory and images are reshaped by war.
A mixed-media installation reflecting on displacement, from the Standard of Ur to today. Absence and tailoring become metaphors for adaptation and remade identity.
An ongoing project that revisits the Zanj Rebellion (869–883 CE) through salt sculptures, a single video work, double-sided drawings, and Kozo paper collages.
Eleven metal cut-outs form a repeated figure; the twelfth position remains empty, marking absence and expectation.
A video installation exposing “purification” as violent erasure. Water, pigment, and a suspended canvas reveal how traces persist.
A life-size kinetic archive where folders glide across shelves in a silent loop. History is treated as a system shaped by visibility, classification, and omission.
A wall text installation translating The Beatles’ “Yesterday” into Arabic news banners, reflecting collective longing and irreversible change.
A memorial work responding to the killings of Iraqi teenagers targeted for their “Emo” appearance, combining video and sculptural installation.
Six-channel installation built from children’s dreams in conflict zones. Drawings become animations, merging into a shared, shifting narrative.
Site-specific video in a convex traffic mirror, re-filmed for each venue. Childhood play becomes an uncanny threshold of surveillance and uncertainty.
A video installation in which mattresses cover an industrial landscape. The floor becomes an attempt to create temporary stability within harsh conditions.
A sugar-cube mosque dismantled by ants in a two-channel installation. The work reflects on devotion, desire, and the fragility of structures.
A fictional travel agency offering one-way “holidays” to Baghdad. Humor and propaganda collide, exposing the gap between occupation-era narratives and reality.
A landscape image sealed under acrylic and coated with black grease, inviting viewer intervention. The work reflects how memory and images are reshaped by war.